The management of a complex and dynamic territory like that of the Park of Cilento requires a methodology of able planning to interpret the wealth of the locality in proposal terms. The Park arouse the reflection with its natural and cultural heritage, and becomes synthesis of landscape values, and environmental, of historical values that testify the evolution of the territory, of sociocultural values that represent the knowledges accumulated in the course of ages. The sharing through the tourism of such a heritage with an amplest community of that of belonging must become an comparison occasion and exchange that fortifies the intrinsic characteristics of the localities, so as to not changed them in chrysalises lacking in elaborative abilities of perspectives future. The process of planning assumes the form of a catalyzer element of an endogenous development that, making lever on landscaped, environmental, cultural and social resources of the territory, it tries of revaluate the identity of the localities to make them new motor of development according to unforeseeable modalities to the beginning of the same process. It doesn't prefigure definitive solutions (itineraries, concluded processes...) but even it doesn't favour the course of the events: it seeds instead a whole of solicitations that interacts with the local reality in open way and they creates the presuppositions for the construction of new sceneries of development. The City of the Park instead devote oneself the wish of a new condition as theatre of production of new identity. The territory so interpreted change a system of new poles that they find a real and symbolic point of meeting and dialogue in the plaza of the community of the Park, the "Piazza dei flauti" (plaza of the flutes) on the Cervati mount. Two tables represent the attempt to interpret the sense of the archaeological sites by than exposed and to put it in relationship with the proposal of the City of the Park. The first table, "the territory of the history", tries to return through the images of the life of the men the idea of archaeological sites like alive narrators of the events, in the awareness that tracking down the sense of the continuity of the history is appreciated in it the cultural origins of the present. The second table, "from the territory to the City of the Park" imagines that the territory of the Park, through the "exploded Certosa" is able fascinate again the varied pieces (history, culture and nature) and to reassert local identity in complex terms. This allows the localities to not undersell they themselves transforming in ready cliché for uses it and throws some tourist market, but propose it with a very likeable creativity in the cultural and economic debate and consequently to attract the outsider in virtue of one found againability of exchange and comparison.

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